How the Academy Awards Celebrates the Best in Food and Film

It’s Oscar time! That means designer gowns, elaborate production numbers, red carpet interviews and seemingly endless ‘thank-you’ speeches in addition to those prized statuettes.

Also present will be the elegant food that no Oscar event can be without. This year Cheryl Cecchetto is designing and Wolfgang Puck is catering the elite after-the-awards Governors Ball.

This Ball is an insider's must with an A List that literally defines who's who's in Hollywood. Being omitted can easily declare a career is in decline.

So what will Chef Puck serve to the 1,500 invited VIPs of the Film Industry that will be attending this year’s party-of-the-year ball? Here’s his innovative (and health conscious) menu:

Appetizers

• Bolognese-stuffed Rice Balls
• Mini-burgers with Aged Cheddar and Remoulade
• Spicy Tuna Tartare in a Sesame Miso Cone
• Salmon on Flatbread Shaped like Oscar Statuettes Garnished with Caviar
• Taro Root and Avocado Tacos

Passed Entrees

• Handmade Pretzels Stuffed with Pimento and Parmesan Cheese
• Bacon-wrapped Dates
• Small Chicken Pot Pies with Black Truffles
• Baked Potatoes with Black Caviar
• Shanghai Lobster
• Short Ribs with Goulash and Spaetzle

Desserts 

• Licorice and Chocolate Parfait with Caramelized Tobacco Leaves (Gluten Free!)

• Yuzu Semi Freddo with Green Tea Meringue and Sake Blueberries

• Caramel Garden of Coffee "Soil" Supporting a Chocolate Malted Tree with Fleur de Sel

Yet the revere that Hollywood holds for fine food and all matters culinary is not limited to the grand galas surrounding Oscar Night. In nearly every decade there have been great films about food, wine, the people who create them and those who truly enjoy them. Here are some of the best:

Babette's Feast

Chocolat

Julie and Julia

Ratatouille

Vatel

France Premieres New Culinary Film LES SAVEURS DU PALASIS

Opening in European film festivals (and soon we hope in the U.S.) is a stunning new food film, Les Saveurs du Palasis, based on Daniele Delpeuch’s experiences as Francois Mitterrand’s personal palace chef. 

We should say loosely based, for as always, there are additions and subtracts from the actual story. But be that as it may, you will surely be intrigued by the female lead.  

We first meet Hortense Laborie, (the character based on Ms. Depeche’s amazing life) in Antarctica. Yes, Antarctica, not Paris, where she is cooking for a group of appreciative but very isolated scientists. At first glance it does not seem she could possibly have walked the glided corridors of French presidential power.

But she did and often (at least initially) without support. She was a woman unwelcomed in a professional world of men. She did not wear a towering toque nor a chef's white jacket. Yet she worked, created and finally won the respect of her many male colleagues.

It is a marvelous film - a visual feast for the eyes and with good reason. The film’s culinary presentations were created by top professionals - Chef Gérard Besson (formerly at Le Coq Héron), Chef Guy Leguay (previously at The Ritz) and Culinary Stylist/Chef Elisabeth Scotto (of Elle Magazine).

From the beginning the film’s director Christian Vincent wanted the French actress Catherine Frot to play the role of Hortense, knowing she was perfect for the role.

She was exactly the same age as the character, with a genuine, practical side that suited the role perfectly. Her persona is natural, believable in either a country market or a palace kitchen. 

Today Daniele Delpeuch lives and teaches in her beloved Périgord region, where she promotes traditional cuisine and indigenous ingredients including truffles, truffles, truffles – oh, how we love them.

If you are in France, consider studying with her – you will marvel at the dishes you create and the conversations you will have.

But whether or not, your feet land on French soil, be sure to see this film when it comes to your neighborhood. It truly captures the spirit, the flame and flavor that is the craft and magic of French cuisine.  

Your Culinary World copyright Ana Kinkaid/Peter Schlagel 2012